Working with my writers via my Development Packages, I always start with the building blocks of television drama – that five act structure – and how it forms the story wall of your Pilot. Get this right and you have jumped the biggest and highest hurdle in the development process. The Pilot is the window for any potential Producer, to the rest of the series. Writing a commercially attractive, engaging Television Pilot – the first ten pages, in particular, demands a certain mind set and skill base from television writers. In the structure of a television hour, there are traditionally five acts and the first ten pages of the Television Pilot forms that first act. ![]() The first ten pages of a Television Pilot form the crucial first ten minutes of your television hour. Writing the Television Pilot – the first ten pages – is a key place to start as you structure your story across the television hour. ![]() In this blog, I want to set out the five key factors that must be in those crucial first ten pages in order for a potential Producer to not only be hooked in the beginning, but stay with your script beyond that ten page point. ![]() Writing the Television Pilot – the first ten pages – can be daunting for Television writers.
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